Above the Dizzy, 2022
Acrylic yarn, hand-dyed natural wools and recycled cotton on monks’ cloth. 48” x 48”.
About this work
Interiors play an important role in my current body of work, not just aesthetically but also in terms of memory and light. This space in Roncesvalles, Toronto, was a place of personal healing filled with warmth and possibility. Lying on the rug in the early afternoon was akin to indoor forest bathing, and I want to extend that invitation to the viewer.
POA.
“Still, Life” - pandemic series